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​​Comunication with the Inanimated

​​An expressive juggling workshop about physical comunication and relationship between the person and the object. Focus is on learning comunicating tools between us and an inanimated partner, building a vocabulary to interact with objects and how to understand their own kind of "language" and the principles by which they comunicate to us as well as we do.

 

 

 

 

This juggling workshop is about interaction with other people. First goal is to learn how to use only our presence and movements to silently interact with others, by some dance's and physical theater's exercises. Then the focus will be on how to use objects in this kind of interaction, involving them as our primary tool of comunication and using their own principles as a tool to relate to other people.

Interactive      

Juggling

Sincere on the Scene

How to be youself on the scene? The hardest thing to do on a stage is to be true. When we are on a scene  what's our point in that? Do we need to act? Do we need to show? Do we need to fake? Do we need to make up things to be interesting? Do we need to dress ourselves as in a masquerade? Or can we just "be", that can be the most interesting  fact of all? Can we just bring there things which are interesting by themselves? Can we just bring ourselves there?





 


 

 

Do we wish to entertain or do we wish to  comunicate?    

Bouncing Technique

A technical juggling workshop on bouncing balls: basic, intermediate and advanced tricks from 1 to 9 balls; numbers; siteswaps; bodythrows and effects; passing technique; posture; rythm and speed; space and movements; training methodically; brain teasers; warm up; juggler's health; proper goals.

Physical Interaction Principles of Movement

Exploration in physical interaction, how bodies can comunicate. Understanding touch, force, lead, follow, contact, attraction... different ways how a movement dialogue can be created between people. This is trained and explored trough a series of group exercises, using principles from contemporary dance, physical theatre, martial arts, and mostly observation and sensitivity, keening understanding and reaction.

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